In a Mumbai slum, acting school stirs Bollywood ambitions

Mumbai, India – Teena, a 22-year-old mother, arrives late to her acting class in Dharavi, Mumbai, apologising and wiping the sweat from her forehead.

Her weekly, 10-hour round-trip from her home in Nashik to this acting school in the heart of India‘s biggest slum, is something of a pilgrimage.

Teena worships Bollywood, and is determined to be a star. 

“I do it because I have a dream,” she says, “and I will do absolutely anything for it.” 

The Dharavi acting school’s founder and sole instructor – the moustached Babarao Laadsaheb – says Teena’s dedication is shared by many. 

Mumbai is home to the world’s biggest film industry, and many Indians are devotees: stars’ houses are treated like temples, and some fans have even built shrines for their heroes. 

But the poor scarcely get a look in when it comes to starring roles: class and caste status, nepotism, fair skin, education, English language, and certain beauty ideals are at play. 

Nevertheless, Bollywood “gives people hope,” says Laadsaheb. “People come to this city with nowhere to live, many live on footpaths” in their pursuit of a career in cinema, he says.

Laadsaheb opened his school 35 years ago and hasn’t missed a day’s teaching since. 

At first, he didn’t charge anyone a single rupee; now, only those who can afford the classes contribute, and he covers trips to castings himself. 

Read the full article on Al Jazeera. 

Co reported and co written with SOPHIE HEMERY

This story is part of Bolly Lolly Dhally, a collaborative European Journalism Centre project platforming stories of women and feminism in the film industries of Pakistan, India and Bangladesh.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s